#Qlab surfaces software
One of the other big plusses for this software is the company itself. Obviously, the new features for V3 are a great selling point. Does the set designer need 10 more seconds for that scene shift? No problem. Does the director want four bell clangs instead of three? Add a slice. With the addition of Audio Effect plug-ins, you can say goodbye to many of the signal processors once needed (EQ, digital delay, compressor/limiter, etc.) In addition, there is a new level of function with slices and playback rate that allows for greater flexibility once you get to tech. In short, audio capabilities have improved and you now need a lot less external equipment. Easy manipulation of playback rate for speeding up or slowing down the playback of an Audio Cue (with or without a resulting pitch shift).Unlimited slicing of Audio Cues, with each slice having an individual loop count for internal vamping possibilities.A new Mic Cue, offering up to 24 channels of live audio input for each Mic Cue (also featuring audio effects).These effects (EQ, reverb, pitch bend, and more) each have adjustable, real-time parameters, as well. Dynamic Audio Effects: Built-in Audio Unit (AU) capabilities for applying audio effects to individual cues, cue outputs, or even audio device outputs.Up to 24 Audio Inputs / 48 Audio outputs per Cue.In later installments, we will look at video and show control. Used in applications from Broadway to Britain’s West End, churches, museums, art installations, and more, QLab makes it easy (and affordable) for anyone to put together rich multimedia designs for live performances and installations.įor this review, I would like to talk a bit about the new audio tools available in Version 3.
#Qlab surfaces for mac os x
In a span of roughly 7 years, QLab has evolved from a sound playback program for Mac OS X into an industry standard show control platform featuring a robust package of functions, featuring cue-based sound and video control, MIDI and OSC integration, video and audio effects plug-ins, surface-based video output for projection mapping, and more. This first installation covers the newest version of QLab* recently released in May 2013. Like the blog itself, it is my intention to cover a wide range of products, both new and old, that have made my work easier. Welcome to the first of an ongoing series of product reviews I will be running on here.
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